carlo keshishian

Marching Into Spring

It’s March…

Winter is behind us, or is at least subsiding temporarily. One thing is apparent, each day stays brighter by 40 seconds or so. Certainly beneficial to my creation process nowadays! Light at the end of the tunnel.

I recently completed the most recent diary page which began on the first of January, 2015. Here is an image of it.. Click on it to see a larger version (which you can then click on again)..

In other news, there is currently an exhibition on in London (UK), Circus In Terminal 15, featuring a large painting of mine from 2009. It is also text based but more of a word association than diary-like. It’s on until Saturday 14th of March. On Friday the 13th there is a sort of ‘closing party’ which will feature performances (musical, theatrical, poetical, existential, un-categorisable) from 6.30-9pm. It’s at the RR Gallery, St.Peter’s Church, Kensington Park Road, London W11 2PN. Come along if you are in the vicinity. Here is an image of my piece at the opening..

And here‘s a lengthy bit of blog I recently wrote for Outside In, focussed on my experience with the Circus Terminal project. It contains some historical, ideological, philosophical, and other otical contexts. And some images. Check it out HERE

Lastly, I’m gonna plug a couple of my recent radio show uploads. As I’ve mentioned before, I do a weekly radio show called See’s To Exist show every Friday 4-6pm GMT on Itch FM which streams live on the internets via their website. I archive the shows here.

But what I wanted to draw particular attention to are two shows. The first being –

1) a special edition I did live at the station in dedication to the music of Joe Bonner, a favourite pianist of mine who sadly passed away a couple of weeks prior. There is a magical quality to his playing as is exemplified in the selections I have included from my record collection. I also speak a bit with Juini Booth who played bass on Bonner’s classic Angel Eyes LP. You can hear this show / here/

2) A more thoroughly put together show, and a first instalment in a series of three shows, is my focus on the overlooked pianist, composer, and conductor Horace Tapscott and the movement that he put in motion from the 1960s onwards. I interview several affiliates for this. The author Steven Isoardi, who edited Horace Tapscott’s autobiography and wrote an extensive account of the Pan Afrikan People’s Arkestra and their history. Michael Session, who joined Horace and the Arkestra initially in the late 1970s and who is currently leading the group since Tapscott’s passing. Darryl Moore, also known as JMD, who was drumming and touring with Tapscott in the 1990s, and is known for his work with the Project Blowed and production work with Hip Hop groups Freestyle Fellowship and The Pharcyde among others. You can hear the first instalment – /here/

That’s all for now, folks.

Be well..

Carlo

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What’s new and still old…

In this entry of my seemingly biannual blog I have little to say that isn’t said elsewhere but I have a couple of links to throw at you containing masses of information, should you be interested. Firstly, I’ll draw attention to the latest diary page completed a couple of months ago. Click on it to see it in more detail. It may take a moment to load. And click on it again to see it in more detail:

I’m currently working on the next diary drawing, which unlike previous diary drawings which have more of a stream of consciousness based approach in terms of structure, even though there are in depth and thorough explorations into ideas, topics and experiences, the new diary is a continuation of the one illustrated here, focussing on just one topic, an in depth analysis which I feel will most likely even carry through onto a third page.

In other news, I’ve recently gotten back from a trip to France. Mainly Paris. I was there for the Outsider Art Fair. Quite an indulgent affair. There was a lot going on in terms of exhibitions and I saw more art than I would usually see in at least half a year. I documented some of my experience of being there for the Outside In blog which you can read here: click here

Ah yes, also, a well rendered image of mine is used in the David Maclagan article Beyond the Doodle, printed in Raw Vision magazine issue #82. You can read an extract from the article here and/or buy the magazine which features the full article with the glorious accompanying images and rest of magazine full of fascinating art to ponder on, HERE.

Finally, something that I received a few days back, which terrified me (fittingly, for Halloween), was an eleven minute video interview that I did for Uncooked Culture TV. I’d almost forgotten about it and then it just appeared out of nowhere. I still don’t understand how it spans eleven minutes but it does. Should you be interested in viewing this, you can find it below and it may be an idea to view it full screen if you want to see more clearly. That’s all for now.

Until next time..

Carlo.

24 May 2014, 10:32am
Boy shows you his... Boy talks Boy travels Uncategorized: Circus Terminal Circus Terminal Slovenia Downtown Music Gallery Henry Darger Horniman Horniman Museum Kitty Gale Kud Esko Museum of Everything Outsider Art Fair Phil Baird Raymond Pettibon Trumpet and Cloud
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2014 so far…

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Where to Begin…

How does one start a blog entry when 6 or so months have passed since the last. It seems to be a recurring thing, this accumulate and combust pattern. All I can do is create breathing space by leaving gaps and making more paragraphs. A few photos here and there.. Firstly, here is the last completed diary drawing.. which I began in April of 2011 and completed in November of 2013.

The new one is coming a lot faster. I am nearly halfway through it, and began it in February.

Circus Terminal New Zealand/Slovenia…

The adventures continue with the Circus Terminal touring exhibition, accumulating more artists and artwork along the way. My work was shown in New Zealand, reaching further across the globe than me! In some ways, a parallel to a news piece I read recently regarding humans reaching a depth in the ocean that we’d never reached before, and finding some of our rubbish there. Our litter reached these unexplored areas before we did.

I can speak (a lot) more about Circus Terminal’s excursion to Slovenia as I actually went along for the ride on this one.. but in regards to chronology, I shall speak about my trip to New York first..

New York / Inside the Outsider Art World…

I have an interesting relationship with this city. It brings back my awareness of everything resonating on a paradoxical level. I came into Newark airport, which I felt would be quieter and easier than JFK, as last time at JFK I had to queue for an hour and twenty minutes to get through passport control, which was a lot worse for the weak-kneed elders, families with little babies and children, or the obese.. I remember waiting for my luggage and hearing an announcement over the p.a., to paraphrase: “Please keep your mobile phones off in the luggage pick up area”.. and as my phone was on, I took it out of my pocket to turn it off, and within seconds a security/police person was beside me ‘excuse me sir, you’re gonna have to turn that off’.. I began to explain that this is why I had taken it out of my pocket, but he cut me off mid sentence and seemed aggravated by my being conversational/talking back to him.. Newark welcomed me in a similar fashion. The queue only took half an hour or so. I noticed a poster up which was focussed on explaining how the security there should treat you with respect and are there to help you etc.. etc.. Before arriving at the passport desk, a security guy was randomly checking people’s passports in the queue. He looked through mine and laughed whilst saying ‘why have you been to Libya so many times??’, (why have I been to New York so many times!?), I responded ‘I’ve never been to Libya’. He changed his expression and seemed stumped for a moment. He pointed at the stamps and asked what they were. I said ‘Lebanon’. He said ‘Same thing’.. I refrained from commenting further. Not long after, when I was on the New Jersey Transit train to Penn station in Manhattan, the ticket officer checked my ticket and I asked her roughly how long the ride to Penn is, and she of course answered with ‘do you have a smartphone?’, why she couldn’t just say ’10 mins’ or something like that, I don’t know.. This is New York, sometimes. I told her I don’t have internet as I am coming from London and to use internet here would be extortionate. Very much like the character of Gail in the film After Hours (one of my all time favourites, set in Manhattan), she completely ignored my comment and proceeded to show me this app on her phone which tells you the timetables of the trains etc.. She then turned around and showed the app to a couple of the other (American) passengers, telling them it’s quite useful. I reiterated my point “Can you just tell me, 5 minutes? 10 minutes?”, and in her overly helpful fashion she responds “I told you, 2 stops!”.. Thanks. As it was a national train, it is difficult to determine the length/space between stops, but I left it at that.

On thing I do like about New York is that you see stuff like this on the train platforms..

The next phase was meeting someone to pick up keys for an apartment. Interesting lady. I had no luggage with me, which she was glad about, being paranoid about people in the building noticing visitors coming and going with luggage. This is understandable. I explained to her though that I’d be picking up a suitcase from somewhere the following day. She asked how big it was. We talked about all sorts of things and then I noticed she had these circular cards on the table and was shuffling them around as we spoke. She then mentioned that perhaps I should bring the suitcase in the morning instead of the afternoon. By now I’d pieced together the puzzle and she was using tarot cards to help her figure out when I should sneak this suitcase into the building. Another ‘After Hours’ moment. I had a busy schedule and couldn’t comply to her fully, but compromised the timing in regards to when I will bring this suitcase. I assured her it was very light and would take just a minute to walk through.. There are more eccentric aspects to this story but I shall refrain from going into those details..

Ah yes, the Outsider Art Fair.. I enjoyed it. Saw some great works by Edmund Monsiel, Raphael Lonne, A.G. Rizzoli, Nick Blinko, Christine Sefolosha, Stephanie Lucas, and many others.. I was intrigued by the talks on Jean-Michel Basquiat and Henry Darger, and spent my Saturday attending both. I go into some detail about these in a blog entry I have written for Outside In which has just been uploaded here. The stand out moment for me that afternoon was when James Brett took control of the panel discussion on Henry Darger and made it his own, becoming more and more animated as he built up to revealing his epiphany regarding Darger’s images and how they each follow on to the next, aesthetically, if you put them next to each other. He used nine or so slides to illustrate this point and flicked back and forth between them, the more he pushed the point, the louder the rain got. The talk took place on the roof of Center 548, with a temporary tent erected around us, you could see the material fluctuate from the violent rain and winds, and as Brett landed on a Darger image depicting a sky full of lightning, thunder struck and lightning flashed in completely simultaneous synchronicity on the roof of Center 548. The rain got so loud that we couldn’t hear the speakers’ voices and they had to stop for some time to see if it would calm down, and as it was passively said on the panel, echoing what some of the people in the room must have also been thinking half seriously, is that it was like Darger was interrupting the talk from above, showing his reaction, resonating with the theatrics of discovery.

Here’s another New York shot:

I was out and about a lot in New York.. entering the outside world at around 10am and returning just after midnight each day for four days straight. My energy didn’t seem to run low at any point until I returned home after an overnight flight which I did not sleep during. The following morning I set off for Slovenia, adding a further hour to the jet lag and putting me in a completely different environment. Anyhow, prior to that, in New York I managed to check out a few record shops. I had planned to visit just two but I eventually got through a dozen or so. I have some fuel for my radio show, which hopefully should be starting up again at a different radio station in the next few weeks.. I saw a few films, ate some great food, saw a few exhibitions. Of note is the Raymond Pettibon exhibition at Venus over Manhattan. Was great to see that. It’s a shame I only found out about the exhibition of Basquiat drawings on the Saturday during the Outsider Art Fair talk. I wanted to go the following day but the gallery was closed Sundays according to the internet and I flew home that night. I did however walk past a gallery with no signage, where some activity had caught my eye. A man holding open the door, another carrying packages from a van. The man holding the door asked “Well, are you coming in??”, I responded “I don’t know.. what’s going on in there?…. What’s the show?”, he said “Keith Haring”, and so I went in. I wouldn’t have even known about it! Was good to catch that. On the same street there was an exhibition of Julian Schnabel paintings from the late ’80s I believe. So it’s funny to see that era all on show at once. The Schnabel stuff is just interesting to see purely in terms of scale. The content I don’t really connect with.

I was told it wasn’t a very good record, but I do love a good octopus find.. Here’s a photo from the ‘rare records room’ at the Downtown Music Gallery..

and here is a photo of me in front of a wall painted by Raymond Pettibon..

Circus Terminal Slovenia…

The journey to Piran seemed dubiously painless, until halfway through the flight when we were informed that the plane had been struck by lightning.

I saw the flash of light but heard no thunder. There was some roller-coaster turbulence. Five minutes or so later, the pilot said something (to paraphrase): “As you may have noticed, our plane has been hit by lightning. Normally, we would continue on to the closest airport, in this case our destination, and have engineers look at the plane upon arrival. Unfortunately there are no engineers at Ljubjana and so we have to turn around and return to Stansted.” We got there and remained in our seats as engineers explored the damage for 30 minutes or so. According to the pilot, the lightning had penetrated the plane through one sheet of metal and come through the other side of another piece of metal. This occurred very close to a circuit board which is related to measuring internal or external pressure, but thankfully the circuitry was unaffected. We were then told that they would spend the next 15 minutes or so scraping off some of the burn marks and then we would be back on our way. Nok’s flight was arriving in the morning but she had decided to wait for me until I land at 4pm. Of course now that I was landing a few hours later, she rightfully left the airport to embark on the road trip to Piran. I would be picked up by a young lady who takes a small fee for running a sort of organised hitch hiking service which people can use on the internet to get a lift from town to town. After having just been hit by lightning and surviving, the conversation between my designated driver and I over the next hour somehow didn’t phase me, but I did feel quite overloaded after. We touched upon planned parenting, censorship, castration, good vs evil, free will, population control, the eradication of money, horse burgers and various other wonderful topics. It’s a bit of a blur to me now. We did pick up two more passengers along the way but they remained mostly quiet. One of them seemed quite interesting though.. He teaches kindergarden and makes this trip once every couple of months on his own with some psilocybin and just walks around these three towns for several days. He said it gives him time to think and reflect and clear his mind. I don’t remember him carrying anything else with him. He seemed pretty together. I wished him a good trip as he exited the vehicle and quite soon after reached my own destination.

I was welcomed by this lovely mosaic piece at the Trumpet and Cloud hostel, where I was staying for 10 Euros a night!..

I know it was just a week ago but somehow it feels like a lot has time has passed since then already and the details get rearranged in my brain. I think it was the following day or possibly the day after that, that we took the art works down to the gallery. Circus Terminal is certainly a miracle of an embarkment, and only one Nok has the energy, drive and vision to pull off such an impossible task. I remember two or three years ago when the exhibition had maybe 15 or 20 artists on board, and since then after having toured through France, Spain, Thailand, USA, UK, Holland, and Australia, picking up new artists as the momentum continues, we now have a suitcase full of 350 or so art works by around a hundred artists. Here’s some photos of walking down the hill and taking the work to the Kud Esko exhibition space!

And then we laid all the art works out on the floor, and in some sort of mysterious fashion they began to get placed on the wall with a sort of improvised, yet practiced, (dis)order..

Contemplation back at the hostel..

and a full moon..

By the next day we were joined by Farad and Verena who drove over from Austria. We took Farad’s work down to the gallery..

We visited a sculpture park..

We drove past some salt-extracting environments, and this guy went in to go fishing with his harpoon..

We were told that there was a fish market or something going on in Piran and so we went down to go and buy some fish to bring back to the hostel and barbecue in the garden. When we got closer, we found out that they were actually giving away free fish. This sounded quite unusual.. We got there and they were cooking fish and giving people a fish each to eat, so we queued and got some free local wine and fish for lunch, which was incredible. I asked how often this happens and they said it will probably happen again towards the end of summer..

Back at the gallery, and hundreds of reference sheets with no order to match art works and images with titles etc..

Unorthodox methods..

and the opening..

Some of the local and young artists were painting a wall outside.. And Farad and I had an impromptu noise jam inside.. Farad was shredding on the guitar and I was providing some drum programming and effects.. Check out some of Farad’s music here.

Gotta thank our hosts, Vasko and Nina, good job!

Between the opening on Friday and the collaborative painting session I lead on Sunday, all sorts of whirlwind happened. I won’t go into the shenanigans but it was a guy called Igor’s birthday and he was throwing a party from Friday night which went on until Monday? I passed through on Friday night and though it was pouring with rain, the party was lively, there was plenty food on the grill and an infinite supply of beer and other beverages. Skipping right ahead to Sunday, I was hugely impressed by how quickly this massive canvas was getting filled with the marks of local artists, and it was great that they could make it and were either struggling through a hangover or opted to come and paint over staying at the party..

It was funny to hear these people trying to read my drawing. They were doing a good job actually. It was weird hearing them read out what I’d written, aloud, slowly but surely..

And more photos of the Circus Terminal here.

Horniman workshop…

Fellow artist and collaborator, Phil Baird and I have been doing a few things here and there. We ran six weeks of workshops at the Three Cs Crossways center in Peckham, and have also held a series of workshops at the Horniman Museum in conjunction with Network Arts Lewisham and Drake Music. I recently got an email from the Horniman with some photos of the workshop we held there most recently at the Community Music Day, which are quite pleasant. It was quite a short workshop but we showed one of the films we had made, and then everyone played on some instruments that were provided by the museum. Phil and I jammed on a couple of instruments as the others drew their reactions to the sound, and we did a version of this which involved passing the drawings around until everyone has drawn on every page. Here are some photos, courtesy of photographer Kitty Gale..