Upcoming Exhibitions.

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Where to Begin…

The logic and boundaries of my world do require suspending disbelief, as does the semblance of my creative output reflected by its absence through the lack of newsletters I send out. Fear not, I am edging forward daily in my little corner, with the support of sporadic sessions at the osteopath. Some of my efforts have been acknowledged and will be celebrated in both London and New York this January.

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Outside In: Journeys…
11-19th January, 2018
Sotheby’s, London, UK

The succinctly titled Journeys exhibition explores the spectacular journey that the organisation Outside In have experienced since their conception twelve or so years ago. The art works on show will revisit examples from the trodden path, highlighting the journeys that each of the selected artists have found themselves on since and in many ways probably as a result of having crossed paths with Outside In. I have written at length about Outside In and their singular identity elsewhere, as have others, so if you aren’t aware of their work, do spend a few minutes on your search engine or simply visit their website here. My relationship with them began in 2009 when I exhibited a painting (illustrated here) as part of their competition/exhibition at Pallant House Gallery. My painting was chosen along with five others from the several hundred submitted from various artists across the region, and as a result I was offered a solo exhibition which took place the following year, where I sold my first diary drawing. A lot has happened since then, in regards to my multi-disciplinary work with Outside In and otherwise. To see the painting I had shown in the 2009 exhibition, now on loan from the Rose Know-Peebles collection, alongside some great works by AradnePhil Baird, Manuel Bonifacio, and James Lake among others, find your way to Sotheby’s in London. For further information, follow through to the Sotheby’s website here.

Vestiges & Verse: Notes from the Newfangled Epic…
Jan 21st – 27th May, 2018
American Folk Art Museum, New York City, USA

For the first time, my drawings will officially be on show in New York, at the American Folk Art Museum, no less. I am excited to announce that several of my diary drawings, on loan from various collections including the ABCD Collection, the Antoine de Galbert/La Maison Rouge Collection, and the Eternod/Mermod Collection will be included alongside works by seminal artists such as Aloise Corbaz, Henry Darger, Malcolm McKesson, Achilles G. Rizzoli and Adolf Wölfli. It is not lost on me that among the 21 artists included in this fascinatingly contextualised exhibition, I am among the minority of living artists, and seemingly the youngest by a few decades. I am not sure what this might mean, if anything, but certainly something for me to ponder on in the grand scheme of things. Another of the living artist who’s work I admire very much, Susan T King will be leading a workshop, Drawing With Susan as part of the exhibition program on January 23rd. You can get tickets, which are free, here. Another intriguing event related to the exhibition, called Discussion: Invisible Dialogues & Invented Languages will take place on February 22nd. Tickets are available at $10-12 and are available here. Lastly, a book will be published to coincide with the exhibition which I am of course excited and intrigued to peruse. This will inevitably be available online and in some physical bookshops very soon.

See’s To Exist Show 

After a short hiatus at the beginning of 2017, my radio show returned to the world in its current monthly incarnation, which is much more manageable than doing the show weekly for me at this point. I migrated from my family at Itch FM  to the globally active NTS. I am still archiving my shows on Mixcloud here. I did a couple of ‘special’ shows last year. The most recent being a focus on bassist Juini Booth in celebration of his 50 years of engaging with the instrument. We lost quite a few giants in the world of progressive Jazz last year, including Muhal Richard Abrams, Kelan Phil Cohran and Sunny Murray. I was pleased to be able to send off a much overlooked saxophonist, Arthur Blythe, with a show dedicated to his memory which you can hear here. Something I find interesting about his chronology is that he got his start playing with Horace Tapscott in the 1960s on the West Coast, in Los Angeles, influencing many and leaving myth behind upon arriving in New York where he wasn’t so known. In the show I speak with both Gary Bias who came up playing saxophone with Horace Tapscott and the Pan Afrikan Peoples Arkestra a decade or so later than Blythe, and then trumpeter Ahmed Abdullah who played and recorded with Blythe in New York in the 1970s.

I’ve got my schedule of radio shows for the year, if you want to listen live on NTS, take note of the following dates and I will be on on these Sundays between 3-5pm (UK time).

Jan 14 / Feb 11 / Mar 11 / Apr 8 / May 6 / June 3 / Jul 1 / Jul 29 / Aug 26 / Sept 23 / Oct 21 / Nov 18 / Dec 16

On the topic of radio shows, I decided to start a podcast Who Cares? And Unknowns also last year. These will be very few and far between considering other commitments and priorities, but I was glad to put the first episode out there in two parts, focussed on rapper, producer, and musician Joe Dub from San Francisco. In the last newsletter I mentioned working collaboratively in terms of my designing some limited edition 45rpm/7″ record adapters. I think there were only 100 made which went out free with orders of the first release on his new record label Three Quarters. There are still copies of the record for sale, though I don’t know if they are beyond the 100 by now, but check it out here if interested. The podcast in two parts nears the five hour mark, as I go into near obsessive detail in regards to the development of Joe’s music through the years, touching on many an underground West Coast Hip Hop side story along the way. You can listen to those here and then here for part two.

Timmy Miller Has a Heavy Head

This is most probably the first time I haven’t shown any images of my work (or images altogether) in the blog/newsletter. As some sort of solution, I will take the opportunity to let you know that I’ve slowly been working on a short film over the last couple of years. At this point I am not sure what life it will live, nor how much I want to say about it. But here is a still image from the film. Something ambiguous to sign off with.

Bright Moments,
Carlo

 

Summer/Autumn updates

Outside In 10th Anniversary

Greetings. As usual, it has been a while since the last time I have posted here. Time passes, things accumulate, etc.. So, let’s get on with it!

Outside In have put a show together at Pallant House Gallery, in order to celebrate 10 years of Outside In, which is quite an achievement. It’s great that they can continue to carry out the work that they do and seem to be going from strength to strength. I have a couple of diary drawings in the exhibition alongside the works of other award winners. The show is on until the 30th October, so if you are nearby, do check it out! Also imperative to mention, something that really blew me away and was a total surprise, on exhibition in the DeLonghi Room at Pallant House, are some (many) collected works by Friedrich Nagler. Seriously incredible, faces created out of all sorts of materials throughout his adult life.. Some simple, others quite detailed and complex.. I can’t stress how great this exhibition is and urge anyone remotely near to go take a look, I’m not sure what the probability of seeing them again is, where or when, but I do hope it can tour for others to share this experience. These shows aren’t on for much longer, so check it out while you can!

Friedrich Nagler works on show at Pallant House Gallery

Friedrich Nagler works on show at Pallant House Gallery

Three Quarters Records

By now, I do have a somewhat dynamic history with a figure known to some as Joe Dub. He resides in Hawaii and first came to my attention in the last few years of the previous millennium for his work with the group San Francisco Street Music. He has gone through a few name changes and it is about to happen again, on this occasion to be coinciding with the launch of his new record label, Three Quarters. For their first release, Joe, alongside longtime collaborator Alex 75, handles the production for singer Doug Shorts on a 7″ called ‘Throwing Our Love Away/Slow Poison’.

I am proud to present to you all, a wooden 45/7″ record adapter that I’ve designed for the Three Quarters record label. It is my understanding that these will be available as a limited edition promotional gift with orders of the first release by Doug Shorts very soon.. Stay tuned for more info! In the meantime, you can read a bit more about Doug Shorts here.

Additionally, I have included part of an interview that I recently conducted with Joe Dub, in my 100th radio show for Itch FM (It is my 140th in total). The show focuses on the historical development of my interest in Jazz and I’ll be uploading it to my Mixcloud archive soon. It can be found on Itch FM’s archive already. Furthermore, I am in the process of putting together quite a thorough show focusing on Joe Dub and his music, which will include the full interview. I’ll provide a link to both of these as they become available.

 

The Carlo Keshishian/Three Quarters 45 Adapter

The Carlo Keshishian/Three Quarters 45 Adapter

 

three-quarters-adapter-2

three-quarters-adapter

 

Outsider Art Fair Paris 2016

It’s that time again..  October 20-23rd. Outsider Art Fair Paris, at Hôtel du Duc. A few dozen galleries and organisations from around the world will be exhibiting. I will have works on display with the Galerie du Marché (Lausanne, Switzerland). I’m in great company alongside favourite artists of mine such as Raphael Lonne and Edmund Monsiel, whose pieces are very rarely exhibited, so treat yourself to a trip and journey. Come see us! I will be writing my opinion piece for Outside In as per usual, so if you can’t make it, perhaps you’ll be able to gauge and glean something from that once it’s published. I’ll keep you posted, in any case..

Right, that will be all for now! I’ll be in touch again in due course..

Bright moments,

Carlo

 

Worldly Wandering and White Sticks

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The Beginning of the end…

The year is almost out. Some are concerned about a potential Annunaki takeover. Others are exploring the possibility of living on Mars, or at least casting a reality tv show there. Back on Earth, the Circus Terminal are moving ever onwards having launched another installment of their touring exhibition. December 1st saw the opening at the Sangdee Gallery in Chiang Mai, Thailand. The exhibition features works by 54 artists from 17 countries, yours truly ever present. The exhibition goes on until the 10th so if anyone is in the vicinity, stop by and have a peruse. Here is a random curious image from the opening:

In other news, the openings of the Outside In National & Jean Dubuffet exhibitions on at Pallant House Gallery in Chichester, UK, were a marvel. Both are on until February 3rd, 2013. If you are anywhere near there, it’s worth spending an afternoon there! I was surprised to see a shift in my perspective of Jean Dubuffet, and to see all those works next to each other/together. I’ve seen some of those images reproduced in books or on the internet quite a lot over the last few years but it really is a different thing seeing them in real, and all together like that especially. I thought it was very well curated. Prior to seeing the show, I was very interested in Dubuffet as a character and his involvement with the Art Brut movement. He is quite responsible for us seeing a lot of incredible artists that most likely would have been lost in time otherwise, but there is the question of whether he was manipulating them also. With Dubuffet’s own work, I find it interesting how as he described his approach in making work in a more primitive/childish way, though he had had art training/intellectual/technical background. I’d seen that before but actually upon seeing the show, I felt this wasn’t the case.The seemingly abstract paintings of a tea cup and of a bed for example, I’d seen the images a lot of times before but it wasn’t until the show that I could see/comprehend the imagery. I don’t think it’s primitive at all! I think it’s really difficult to transform those figurative images the way he did, into the stylized representations we see. I think his training was probably necessary in that process, to achieve those images. So the idea that his approach became more primitive/child-like, I don’t see that. I think it was Picasso who said (to paraphrase): ‘It took just a few years to learn how to paint like a professional, it takes a lifetime to learn how to paint like a child’ or to ‘unlearn’ I guess he means. Whilst this is what I think Dubuffet was having a go at, traits of professionalism certainly seep through in my opinion. In any case, I thought it all looked pretty fantastic. The Outside In show certainly contains some true gems. A little painting I did for the Jean Dubuffet people is also displayed. Oh, and it was a surprise upon first view to see myself being quoted in the wall text! (click on image to read):

 Earlier today I received some very sad and shocking news about the violent assault of Douglas (aka Professor Whitestick). He is now in critical condition, in an induced coma. The attacker has been caught and taken in. Let’s hope Professor Whitestick can pull through. Here is a review he wrote on his blog of the workshop that David Johnson and I recently conducted at the Royal Academy, London, UK. On the Royal Academy website, you can hear the improvised music I recorded on the day, with Douglas on thumb-piano somewhere in there.

I’m kind of lost for words now, but every now and then a little octopus appreciation should be encouraged, so I’ll leave you with these delightful videos:

 

The Universe and Shit…

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No, I’m Not Drawing Parallels About the Universe and Feces…

That would be difficult to draw. Or maybe not? Anyway, I will, however, summarize what’s been going on with me and stuff. Hmmm.. thinking about it now, it may make more sense to post a few blog updates rather than make one overwhelming intense block of information.. but I’ve started now, so…

 

Jazz Radio Show

I’ve been doing a weekly Jazz radio show which can be listened to live every Tuesday via www.station898fm.net if you go to where it says ‘listen’ and click on the link that opens in itunes or realplayer etc… I think it may not work with certain browsers. Anyhow, this is at around 11am-1pm GMT. I also upload the shows to my archive on Mixcloud, here. Towards the end of September I aired a two and a half hour Sun Ra special that I, modesty aside, put together quite thoroughly and in as much detail as I could within the time constraints. So whether you are a fan or want to begin your learning journey, go check it out. I chronologically play music that Sun Ra and his Arkestra made from 1955 until the present day, almost playing something for every year. I narrate passages from the excellent biography, and play a few portions of the wonderful documentary target=”_blank”>A Joyful Noise. Lastly, I even inserted an interview I conducted over the phone with Marshall Allen, who currently leads the Arkestra and has now been doing so for almost 20 years. He is currently 89 years of age and joined the group in 1958, so if you’re curious, you know what to do.

Circus Terminal in France

Much to my surprise, the Circus Terminal have included some of my prints in an exhibition they had at a chateaux in Liverdun, Lorraine, France. I was browsing their photo album on a certain face-based website and I saw this photo! :

I do like how my work forces people to get closer and make an effort to look. Interestingly, something I am working on right now requires standing quite far away from it to see it properly.. Sometimes these things occur to me by surprise. I didn’t intend to do the opposite, but a lot of my work explores push and pull, paradoxes etc, so even on a subconscious level I seem to be putting these angles in.

London Show at Annoushka with Outside In

Myself, Dannielle Hodson and Jasna Nikolic are showing in a group show at Jewellery boutique Annoushka just off of the King’s Road in London, near Sloane Square tube station. If you are around, do drop in and take a look. It’s on until the 20th October, and a rare London outing of my work! Art collector (and lovely lady) Rose Knox-Peebles put it quite nicely when she said to me: “Your bit of wall was magnificent – just black and grey amongst all the bling.” The opening was quite prestigious and interesting. The fancy dinner at Hix Belgravia after tasted just marvelous, courtesy of Coutts private bank. Yes it was all rather surreal. I didn’t take a camera and though there were lots of flashing lights, they didn’t seem interested in the artists, but rather models, dogs and local celebrity. I am a little bit visible in photo 15/15, on the right, in the darkness, look closely, next to Jennie from Outside In.. yes, we’re all in the same universe!

Saatchi Popularity Contest

Just across the street from Annoushka, Saatchi are doing another popularity contest and I have entered again, though am not campaigning hard like I did around the same time last year. I’ve penetrated the consciousness of Saatchi Gallery’s Director and am hoping she will cross the street and go look at my work at Annousha, though I doubt she will. Her reply simply addressed my cynicism regarding their voting system, which she claims has changed since last year, though I challenged her on these claims. Anyhow, I will shut up. Click, look, and click again, if you care to vote for me. the theme is ‘places and spaces’, so I entered my Morris Minor.

Outside In: National and Jean Dubuffet

Well, it’s almost time for the Outside In:National exhibition launch! I’m quite excited about this on several levels. It will take place at the one and only Pallant House Gallery in Chichester, UK. I was on the selection committee and given the exciting/hellish task of assessing the 2,310 entries which have now been averaged out based on the 4 selectors results, into around 80 or so art works that will go on display from 27th Oct- 3rd Feb 2013. Running alongside this exhibition will be ‘Transitions’, a retrospective of Jean Dubuffet’s work from 20th Oct- 3rd Feb 2013. I have been commissioned to make an art work which will be made into a limited edition print that will be given to the supporters of the exhibition. Those who have helped fund it, and those who are lending work, from museums and private collections etc… My original will also be exhibited within the retrospective.

Royal Academy Workshop

While I’m here, I may as well mention an InPerson ‘art jam’-themed workshop I am doing with David Johnson at the Royal Academy of Arts, London. It’s a little way off still but as I don’t post in the blogtopus very often,… It’s on November 9th from 6-8pm and will involve collaborative art making, in various forms.

 

Well, there you have it.

Look mum (/mom), I’m a busy boy!

Carlo. x

 

 

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Nick Blinko exhibition…

Nick Blinko is one of my favourite living British artists and so I feel quite privileged to have written an article about him alongside the interview Marc Steene conducted in the latest issue of Pallant House Gallery magazine. This article was published to accommodate Blinko’s first ever solo exhibition (though he has been drawing for over 3 decades) ‘Visions of Pope Adrian 37th’, which is currently on at Pallant House in Chichester, UK. The exhibition is free and if you are intrigued but feel you are based slightly too far away, you can make a day of it and pop into the Frida Kahlo and Diego Rivera exhibition also currently showing there. I went along to the joint opening night private view and was blown away by the potency of both shows. It was also great to meet Nick Blinko after having appreciated his work for over a decade. Also coinciding with the show is a very nicely put together book of Blinko drawings, with each drawing published at the original A5 size and in the order that they were produced. Find out about the two editions here.

 

 

I first discovered Nick Blinko through hearing his band Rudimentary Peni.. He was/is the singer/guitarist and it’s pretty potent stuff.. check it out also..

Rudimentary Peni – Radio Schizo

Outside In

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Writing About Writing…


So, I was ambassadoring (not a real word, apparently) for Outside In at the Impact Art Fair today. I got to sit beside a lovely Scottie Wilson painting of some fishies, and talk to people about the Outside In project and how thankful I am to have been involved thus far on several levels. To my surprise, among the many flyers and information sheets about Outside In that we had to give out today, was the latest edition of the Pallant Press, which contains an article I wrote when I was asked to select three Outside In artists in order to ‘curate’ an article accompanied by their images. I chose Nick BlinkoJames Lake, and Neal Pearce. To see their work, click on the names in the previous sentence. Read my article here. Another pleasant surprise was that Neal Pearce actually had his own stand at the fair, so I got to meet the man and check out all the work he brought along with him.

 

A page from Neal Pearce’s Infinite Codex.

book 12 page 55
Neal Pearce – Infinite Codex, book 12, page 55

 


 
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