Time is the whirlwind (part III: Short film, exhibition, publication)

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Is it sooner than you thought?

I’m following up my previous post with one containing actual things relating more to my output, considering the last entry reads more like a sort of travel log with a sprinkle of educational Jazz referencing.

 

New York, New York – Timmy Miller Has a Heavy Head at the SR Socially Relevant Film Festival NY

The subheading for my previous newsletter/blog post was ‘New York, New York’. Initially that was because I was going to write about my trip to New York and showing my drawings at the Outsider Art Fair in January, and also mention that, to my bewilderment, my short film Timmy Miller Has a Heavy Head has been selected to screen at the SR Socially Relevant Film Festival, also in New York, this March. There was plenty of New York in the previous post, so ‘New York, New York’ was still fitting, in my mind. But anyhow. For New York part II, should you be in the vicinity and interested, my short film (18 mins) will be showing with a couple of other short films as part of a programme considered under the theme ‘Freedom’. I only found out a couple of weeks ago and have since had to quickly put together a poster and a trailer..

note: click on images to enlarge

 

It will be an undeniably rare ‘opportunity’ to see this film in a real cinema, so if you can and are into it, please do, I wish I could! Having just come back from NYC, and needing to renew my passport right now, kind of puts the nail in the coffin for me. If you do go and have a further moment to spare, do let me know how it was?! Attendance, sound quality, etc.. photographic evidence would also be invaluable.

Now that it will be out in the world, perhaps I should demystify it somewhat. I have worked on this on and off for a few years physically.. The seed was planted in my mind about a decade and a half ago and very slowly grew from there, finding its form. A bit like my drawings, in a way. In fact, the name Timmy Miller Has a Heavy Head comes from a ‘doodle’ I did in a sort of visual diary I was keeping in the mid to late ’90s. I mostly kept photographs and concert tickets in there, with associated stories written beside the documents. I also included terrible ‘poetry’ and some unconscious ‘doodling’. That’s where the title for this film was born. I had to rack my brain trying to recall it and thought for a long time that it was on some old schoolwork of mine but eventually found it in this book in January, 2018. In fact it reads ‘Tim Miller’ and not ‘Timmy’. I remembered it wrong for all those years. Not sure why I remembered it in the first place. I did start using it in a different context in the early 2000s and so it has lived on from there more so. Conveniently, there is a date at the top of the page, so I can see that it was drawn on Wednesday 1st of March, 1995. Just about 24 years ago by now. It was good to reconnect with the original drawing. I suppose at the time it was unconsciously referencing all the kids at my school, jacked up on Ritalin. Anyway, enough about me, where were YOU on Wednesday 1st of March, 1995?

 

I know none of that explains much about the contents of the film. I would prefer to leave all that a bit ambiguous at this point. This is the trailer though:

 

The screening takes place on Tuesday 19th of March at 5pm as detailed here. Various options available in regards to purchasing tickets but probably the best deal will be to get the early sales discount here. This is happening at one of the oldest continuously operated art cinemas in New York, Cinema Village. Well, I think that about covers it for now. I’ll be posting any updates on my Facebook artist page.

 

Fly Paws group exhibition in Lausanne, Switzerland

A couple of my small drawings are being shown in an exhibition with a title which translates as ‘Fly Paws’, referring to the insect rather than incorporating slang for ‘fly’ and ‘paws’, though I think the latter is more appealing. Both are amusing. In any case, this is currently on as of the 13th of February and will remain so until the 13th of April, 2019. The place to be is the Galerie du Marché and these are the coordinates.

 

Drawing/Writing/Drawing by David Maclagan

Recently, an academic journal found its way through my letter plate. The reason for this was that an article about the relationship between drawing and writing, written by David Maclagan, is included and my diary drawings get a mention in there, as well as a full page illustration. The article references a lot of artists and cross references various mark making disciplines, as practiced by artists and non-artists alike. If you’re a fiend for this kind of thing, there is a physical version (as was posted through my door) and an electronic version which I found here. The physical copy is pricey (as seems the way with these types of publications) but I can attest to the quality of my reproduced image. Maclagan’s article is interesting to consider and ponder on, and I would say an enjoyable read also. I haven’t gotten round to trying to read any of the other writings though but am curious..

 

25 years of Horse Hospital

I managed to get up to The Horse Hospital in its last days of exhibiting a show celebrating 25 years of its own existence, which is no small feat. I will forever be honoured to say that the first exhibition of my work was in a three person show at The Horse Hospital in 2008. I went along to see this current show thinking I’d be in there for twenty minutes or so but came out of there over an hour after entering. It was visually minimal in its presentation but the timeline of events they had printed out and plastered to the walls had me transfixed and I almost read the entire thing. If those walls could speak, eh? In my previous post I spoke of Joe Coleman‘s work and included some I’d photographed at the Outsider Art Fair in New York in January. One of the paintings contains a portrait dedication to visionary artist Norbert Kox who had passed away just weeks before. Both of these artists have shown at the Horse Hospital also. I forgot to mention in the previous post, that I first saw and learned of Norbert Kox’s work here, in an exhibition of his work and Cathy Ward‘s, whom I also hadn’t encountered before. Norb was present and did some speaking at a special event. I fondly recall his stories of escaping death when having to squeeze through suffocatingly tight passages in caves after water had risen and almost drowned him. He was there with his son. I think this was leading up to the exhibition I was in. So, at the celebratory exhibition, they projected images from all the shows they’d put on and I got to see my works on the walls, which by now feels like some time ago, partly due to seeing which works they were and how they were hung. That whole process of hanging large paintings, it’s been a while by now.. What really sealed the deal was a video compilation of footage from exhibitions that took place, on a screen with headphones for sound. There was a great video of Joe Coleman explaining the details in his paintings, in some detail, in the late ’90s. Fantastic. Such a special and unique place. Certainly singular.

video of Joe Coleman at his Horse Hospital exhibition, speaking about his work

 

Still image projection of my painting The Void II hung beside the door (when the gallery used to be upstairs) with painting The Void and a couple of smaller works in view on other wall behind. The Void II has been packed away for a while now. Would be good to get it out for some air soon..

 

Beginning of the Horse Hospital timeline

 

STUMP: Art From The Obsessive Mind exhibition from October 11th – November 1st (2008). Maurice Burns, Carlo Keshishian, Joe Wilson

 

The Horse Hospital timeline continues…

 

Flyers

 

That’s all for now folk dem. Most probably I won’t write another one of these for a while. Not much happens usually, I am mostly in a room drawing continuously and occasionally taking a break to put a radio show together. Hence my intense whirlwind-related trilogy of posts. The weather is likely to change for now.. Let the wind be my direction.. yadda yadda.. but give me a shout if you feel so inclined and in the meantime,

Peace,

C.

ps. For the sake of realtime chronology, I’m putting this here and not in the above section about Timmy Miller Has a Heavy Head. On my way to work today, to my bafflement, it appears I have been honed in on and retweeted on the topic of the Timmy Miller film by none other than co-creator of Troma EntertainmentThe Toxic Avenger, Class of Nuke’Em High and hundreds of other inventive comedic horror films that send a message (to paraphrase Marvel Comics creator, Stan Lee). That I very rarely use Twitter and barely understand how to use it, only begins to explain how confused I am by this strange occurrence! Shout out to the master of subversion Lloyd Kaufman!

Time is the whirlwind (part 1)

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Outsider Art Fair Paris, 18th-21st October, 2018

It came and went. And a lot has come and gone since. I haven’t managed to post in the blog here, and it’s all piled up and fragmented now. I’ll see what I can recollect and hope not to leave anything ‘significant’ out. I recently returned from New York, where I experienced the Outsider Art Fair there, which was certainly a whirlwind. I use this metaphor a lot. In the end, time is the whirlwind!

Paris in October was destined to be an unparalleled moment for me, due to having the calendar-diary I’d spent a year and a half accumulating over 50,000 words within in response to becoming a father and detailing every day of that until the page was filled, shown. The weekly magazine of auction sales, La Gazette Drouot, must have caught wind of this and in turn mentioned me in their ‘Vous Avez Dit <<Outsider Art>>?’ article, published in No.35 on 12th October. (note: click on images to enlarge)

People, L-R (me, Marilena with sleeping Nemo, Philippe) Art works L-R (my calendar-diary containing 1st jan 2017- 8th May 2018, a stunning work by Madge Gill)

Lucienne Peiry, former director of the Collection de L’Art Brut (2001-2012) and still working as Director of Research and International Relations there, found my drawings interesting and we had a chat. The museum have since acquired one of my diary drawings, which leaves me somewhat speechless.

Lucienne Peiry observes ‘The Disadvantages of Time, part 1: Grandfather Clock’

 

My diary efforts, sandwiched in between works by Aloise Corbaz and Madge Gill

Of note at the fair, was encountering Tim Ter Wal (represented by Maison Savant at the Galerie Atelier Herenplaats (Rotterdam, Netherlands) booth in a moment of working on his drawing. I noticed people just photographing him without actually speaking to him, which I found quite unsettling. I didn’t want to interrupt him though, but got talking to the gallerist whom I’d had contact with in the past, and in an opportune moment I got to speak with the artist and ask him if he minded me taking any photos while he is working. He said he didn’t mind. So, here are a couple of photos below.

Tim Ter Wal

I took the opportunity to visit some other exhibitions while I was in Paris and was glad to catch my friend Julia Sisi‘s solo show ‘Hypnagogies’ at the Galerie d’un Livre l’autre which had been extended, making it possible for me to see it. I don’t have any photos but spent quite some time absorbing all the energy and wonder. I also managed to see La Maison Rouge’s final exhibition, ‘L’Envol’, which was an inspired and enjoyable exploration of (some of) our collective desire to fly, physically and metaphorically.

Fun flying

 

An incredible Adolf Wolfli drawing

 

 

Detail from the George Widener piece. He strongly advises you not to fly on these dates. Pass it along.

 

Bruno Decharme (abcd Collection), who co-curated the exhibition, tells a wonderful story about this art/artist which I’ve by now managed to lose from my memory. But you can see people were entranced.

 

An original page of Winsor McCay‘s ‘Little Nemo in Slumberland‘ (1910), which to my amusement is focussed on the moon simultaneous to a time when my son Nemo is constantly expressing his fascination with the moon

I also managed to see the Jean-Michel Basquiat and Egon Schiele exhibitions at the Fondation Louis Vuitton. It took an hour to get in and was very busy, but the Basquiat was well curated, unlike the recent Barbican show in London. A few years ago I saw a refreshingly unpretentious Basquiat retrospective at the Guggenheim in Bilbao, which was exciting. It was also the first time I’d managed to see an exhibition of his work. The Paris show possibly had the right balance though, overall.

Jean-Michel Basquiat

Finally, I caught the dynamic and rich Halle Saint Pierre exhibition ‘Art Brut Japonais II’ which featured all manner of work by many interesting and intriguing artists whom I sadly cannot do justice to here due to time restrictions but the catalogue looked quite fantastic, so perhaps seek that out. One highlight was this epic piece (seen below) by Norimitsu Kokubo, who’s work I think I first saw at an exhibition at the Wellcome Collection in London a few years ago. Incidentally, we were both represented by the Jennifer Lauren Gallery at the Outsider Art Fair in New York last week (at time of writing this). More on that in the next blog entry…

Norimitsu Kokubo

Yes, so all of the above should have been put together and posted months ago. The writing would have most likely been more detailed, precise, and poignant.. but even in these short months, things fade with time.. I was going to write about the New York Outsider Art Fair now, but certainly 1) do not have enough time 2) I would use up way too much space, which also means you’ll most likely not have enough time to read it all either. I really hope to post it very soon. In the next few days.. or.. next week?

Meanwhile, if I’d managed to get my phone out to film it a bit sooner, you’d get a better view but if you watch this on a loop a few times, here is a squirrel down my road, getting confused by some fake 2D trees. I guess the designers didn’t think that through, or they simply did not care, or were curious to see what would happen, etc.. Anyhow, here it is, from around the same time as all the above (according to my phone)..

New recordings, and the Outsider Art Fair Paris 2018

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Outsider Art Fair Paris, 18th-21st October

It is nearly upon us. In just over a week, I shall be getting the train to Paris excited to be practicing iconolatry on such a scale yet again at the Outsider Art Fair. This year, at the new location –

Atelier Richelieu, 60, rue de Richelieu 75002, Paris.

More info here.

Some of my diary-related drawings will be on show with the Galerie Du Marché coming from Lausanne, Switzerland. I am especially pleased to be showing what I can only describe as the most monumental diary drawing to have been channeled through my nib. More on that below. . . No doubt I’ll be on the wall there, in the company of the usual unusual array of non-living artists, as that is where I seem to fit in all this. I can’t complain.

 

Diary, 1st January 2017- 8th May 2018

The photograph above was taken on the day of completion of my largest diary drawing. The format is different to the usual A4 landscape, and the text also follows a different pattern. I had intended to approach this with the idea of filling it daily, like a calendar, allocating specific spaces to each day of the year 2017. The result, however, spills into the following 2018 (8th of May to be precise, the day this photograph was taken, incidentally). The need to do this drawing came to me a few weeks before the end of 2016. My son was to be born late January/early February 2017. I felt to document the weeks leading up to the birth and capture the evolution of each day after until the end of the year. Expecting a whirlwind of developments and no time to process/retain a lot of the on-going nuanced details, this idea seemed like a way to capture these and keep them contained. Unfortunately, due to severe back issues which had me frequenting the osteopath, as well as other unforeseen instances/setbacks, I could not draw every day on this occasion, but did keep a written diary for the days I missed, which I could later include in the drawing. In any case, a somewhat uncanny thing happened. I had created the equivalent of around 5-6 usual A4 size diary drawings in under a year and a half. I am usually creating 2 a year, 3 at a push (there was one A4 diary that took me two and a half years to complete but that’s another story), and that was with the more time I was able to give in the pre-parenting phase of life. I have never been very good at Math. But these contrasting results make little sense to me. Answers on a postcard. With over fifty thousand words in the drawing, the equivalent to the most densely packed of previous A4 diary drawings is more or less reached also.

So yes, this drawing will be shown for the first time at the Outsider Art Fair in Paris.. If you’re able and willing, come to the fair and you can see it.

 

Vestiges & Verse: Notes from the Newfangled Epic book published

Earlier this year, a selection of my drawings were shown in the group exhibition Vestiges & Verse: Notes from the Newfangled Epic at the American Folk Art Museum in New York.  The accompanying publication is now available to purchase and has a profile on each of the twenty one artists who’s work was shown including Henry Darger, Achilles Rizzoli, Adolf Wolfli, and Aloise Corbaz. The text on me and my work was written by Barbara Safarova.

 

See’s To Exist Show – Doug Hammond special

I’m still at it, doing my monthly ‘Jazz’-focussed radio show on NTS. Generally I am playing records from my collection and speaking a bit about some of them. Occasionally I find or make the time to shed light on particular artists or record labels and hone in on details of interest, gleaning what I can from the conversations I manage to arrange. The most recent of these comes in the form of edition 165, my special show on the fascinating drummer/percussionist Doug Hammond and you can hear that here.  We speak on some of the collaborations he’s been involved in (David Durrah, Tribe Records, Charles Mingus, Byard Lancaster, Family of Percussion..), self releasing music, the recent documentary focussed on him and his work, and more. Enjoy.

Here is one of the recordings of Doug Hammond’s that initially piqued my curiosity some years ago..

 

GDPR

I’ve saved the most mundane for last. Some months ago, new privacy safety measures were put into effect and I made some effort to comply with this in regards to the newsletter I send out only twice a year or so, through Mailchimp. I re-invited those that were subscribed and ended up with just 5% or so of them resubscribing. It seems some tried to but were unable also, which reflects either my ineptness or how complicated this process is for a lot of people like myself trying to keep these things going with minimal understanding of the necessary technologies. Long story short, I’ve just rejigged the subscription button on this blog (top left side of the page), so hopefully if you tick the GDPR box and the other box to subscribe, it will work. Please let me know if it doesn’t, and if it does, please forward this on to anyone you know who may have previously been subscribed, that would be a great help, thanks.

 

That’s all, folks. I’ll be back.

Bright moments,

Carlo

 

 

Summer/Autumn updates

Outside In 10th Anniversary

Greetings. As usual, it has been a while since the last time I have posted here. Time passes, things accumulate, etc.. So, let’s get on with it!

Outside In have put a show together at Pallant House Gallery, in order to celebrate 10 years of Outside In, which is quite an achievement. It’s great that they can continue to carry out the work that they do and seem to be going from strength to strength. I have a couple of diary drawings in the exhibition alongside the works of other award winners. The show is on until the 30th October, so if you are nearby, do check it out! Also imperative to mention, something that really blew me away and was a total surprise, on exhibition in the DeLonghi Room at Pallant House, are some (many) collected works by Friedrich Nagler. Seriously incredible, faces created out of all sorts of materials throughout his adult life.. Some simple, others quite detailed and complex.. I can’t stress how great this exhibition is and urge anyone remotely near to go take a look, I’m not sure what the probability of seeing them again is, where or when, but I do hope it can tour for others to share this experience. These shows aren’t on for much longer, so check it out while you can!

Friedrich Nagler works on show at Pallant House Gallery

Friedrich Nagler works on show at Pallant House Gallery

Three Quarters Records

By now, I do have a somewhat dynamic history with a figure known to some as Joe Dub. He resides in Hawaii and first came to my attention in the last few years of the previous millennium for his work with the group San Francisco Street Music. He has gone through a few name changes and it is about to happen again, on this occasion to be coinciding with the launch of his new record label, Three Quarters. For their first release, Joe, alongside longtime collaborator Alex 75, handles the production for singer Doug Shorts on a 7″ called ‘Throwing Our Love Away/Slow Poison’.

I am proud to present to you all, a wooden 45/7″ record adapter that I’ve designed for the Three Quarters record label. It is my understanding that these will be available as a limited edition promotional gift with orders of the first release by Doug Shorts very soon.. Stay tuned for more info! In the meantime, you can read a bit more about Doug Shorts here.

Additionally, I have included part of an interview that I recently conducted with Joe Dub, in my 100th radio show for Itch FM (It is my 140th in total). The show focuses on the historical development of my interest in Jazz and I’ll be uploading it to my Mixcloud archive soon. It can be found on Itch FM’s archive already. Furthermore, I am in the process of putting together quite a thorough show focusing on Joe Dub and his music, which will include the full interview. I’ll provide a link to both of these as they become available.

 

The Carlo Keshishian/Three Quarters 45 Adapter

The Carlo Keshishian/Three Quarters 45 Adapter

 

three-quarters-adapter-2

three-quarters-adapter

 

Outsider Art Fair Paris 2016

It’s that time again..  October 20-23rd. Outsider Art Fair Paris, at Hôtel du Duc. A few dozen galleries and organisations from around the world will be exhibiting. I will have works on display with the Galerie du Marché (Lausanne, Switzerland). I’m in great company alongside favourite artists of mine such as Raphael Lonne and Edmund Monsiel, whose pieces are very rarely exhibited, so treat yourself to a trip and journey. Come see us! I will be writing my opinion piece for Outside In as per usual, so if you can’t make it, perhaps you’ll be able to gauge and glean something from that once it’s published. I’ll keep you posted, in any case..

Right, that will be all for now! I’ll be in touch again in due course..

Bright moments,

Carlo

 

Outsider Art Fair Paris, Castlefield Gallery, Sweet Earth Records and a Happy New Year..

Outsider Art Fair Paris 2015…

Greetings friends, family, fans, followers and spies. I thought I’d write one of these posts to update everyone on some of my activities before the year is out. Firstly, as I mentioned in the previous post in September, I had two drawings shown at the Outsider Art Fair Paris thanks to Galerie du Marché and the Eternod/Mermod Collection from Lausanne, Switzerland. I must reiterate how much of an honour it is to have my drawings in their incredible collection and to be shown at their consistently strong booth, having attended the fair for several years and been absorbed by the potency and selection. This was the first time that my works have been exhibited at the fair, and I was in good company on the wall with a Louis Soutter  above me and a Theo below me, with a Madge Gill below that. As I said in my entry of reflections on the Outsider Art Fair Paris for Outside In‘s blog which can be read here: “In a weird way, I quite like being in the company of dead people who manage to speak from beyond the grave (and particularly in this way).” Quoting myself from other blogs, into my own. The future has arrived. Anyhow, for my perspective on the fair, click on the aforementioned link. The two diary drawings of mine that were shown were bought by the La Maison Rouge collection and a private collector. 

 

oaf paris carlo 2015

Carlo, beside himself at OAF Paris 2015

 

Diary Drawing…

I am currently drawing the 9th in my series of diary drawings, with the intention to stop at the 12th, as I’d like to continue a painting that I began in 2011 and hopefully build a series around it. Below, you can see an image capturing a moment in the process of my current diary in progress..

Ninth diary in progress

Ninth diary in progress

 

Castlefield Gallery… Inside Out

I am pleased to announce that some of my work will be shown in Inside Out, an exhibition with a very interesting roster of artists, at the Castlefield Gallery in Manchester, UK. The show will be on from 4th March until 24th of April. For (a lot of) additional info, check out the first link in this paragraph. I’ll go into some more detail about this exhibition in my next blog post, but for now I will say I am very excited to discover I’ll have works shown alongside Nick Blinko, Joel Lorand and Mehrdad Rashidi.

Sweet Earth Records

I undertook a most pleasurable adventure in recent months, in an attempt to shed light on a somewhat obscure, short-lived record company that was active between 1977-1979. My curiosity resulted from a variety of ‘coincidences’ in regards to the records that were released on the label, most of which are rare and all out of print with the exception of Sun Ra‘s The Other Side Of The Sun which saw a reissue through another label in recent years. In my attempt to demystify the story of Sweet Earth Records, I managed to speak with John Sprague who kindly elaborates on his memories of performing and recording with David Wertman and The Sun Ensemble, as well as his involvement with the label and their releases. I also speak with the legendary Amina Claudine Myers about her album Poems For Piano ‘The Piano Music of Marion Brown’, I chat with the charismatic Stephen McCraven who kindly invited me in his home to speak on his classic Wooley The Newt LP, and lastly I interview the great Ahmed Abdullah about a Sweet Earth Records non-release and what would have been Ed Blackwell‘s first album as leader. As far as I know, there isn’t really even a synopsis of what Sweet Earth Records were about, online, let alone an exploratory show containing interviews with someone associated with each release to come out on the label, which is what I’ve managed to piece together. I hope you enjoy it. With that, I’ll stop typing and leave you with those two hours of audio Sweet Earth Records special / See’s To Exist show. Happy New Year!

Bright moments,

Carlo

Artlicks Weekend with Hotel Elephant, Outsider Art Fair Paris, Diary drawing..

Artlicks Weekend/Hotel Elephant…

Welcome once again or for the first time. If you are sitting in silence, let me take this opportunity to momentarily redirect you to the archive of my weekly radio shows, in case you’d like a soundtrack to reading my blog. Go here and pick any of the hundred or so shows I’ve executed in my life as a radio DJ thus far. Don’t forget to come back though.

My first bit of news is that I’ll have some work showing in London (UK) again, finally. This will occur between the 1st-4th October. The opening is on the evening of Thursday the 1st of October from 6-9pm and then you will be able to come and see the following few days (Fri, Sat, Sun) from 12-6pm. Courtesy of Hotel Elephant as part of the Artlicks Weekend. The address is 23 Harper Road SE1 6AW. This location is just a few minutes walk from Borough station, or Elephant & Castle. For further info, you can use your search engine(s) or try these links: 1 and 2 and here’s another.. 3

 

Outsider Art Fair Paris 2015

I’m very pleased to announce that some of my work will be shown at this year’s Paris edition of the Outsider Art Fair, thanks to Galerie du Marché and the Eternod/Mermod Collection from Lausanne, Switzerland. It is an honour to have works in their highly impressive collection containing master works by Aloïse Corbaz, as well as works by some of my favourite artists (Edmund Monsiel, Carlo Zinelli, and Raphaël Lonné). Madge Gill, Scottie Wilson, and Adolf Wölfli are among the legendary names whose works can also be seen in the Eternod/Mermod Collection. The fair runs from October 22nd-25th. See website for further details. Here

 

Diary Drawing, March-September 2015

I’m very pleased to announce that I’ve completed another diary drawing. This time surpassing any previous shift in increments by a surprising amount, in regards to the amount of words contained in the drawing, which on this occasion clocks in at 11,273 words. The last couple of drawings were around 7,000 words each, and the one before that had the highest word count previously, at 9,539. Here is an image of the latest drawing.. (click on it for a larger view).

diary-march-sept-2015_small

Thanks for reading (and listening?)                                                                                                                    Bright moments,                                                                                                                                                      Carlo

 

 
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