New recordings, and the Outsider Art Fair Paris 2018

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Outsider Art Fair Paris, 18th-21st October

It is nearly upon us. In just over a week, I shall be getting the train to Paris excited to be practicing iconolatry on such a scale yet again at the Outsider Art Fair. This year, at the new location –

Atelier Richelieu, 60, rue de Richelieu 75002, Paris.

More info here.

Some of my diary-related drawings will be on show with the Galerie Du Marché coming from Lausanne, Switzerland. I am especially pleased to be showing what I can only describe as the most monumental diary drawing to have been channeled through my nib. More on that below. . . No doubt I’ll be on the wall there, in the company of the usual unusual array of non-living artists, as that is where I seem to fit in all this. I can’t complain.

 

Diary, 1st January 2017- 8th May 2018

The photograph above was taken on the day of completion of my largest diary drawing. The format is different to the usual A4 landscape, and the text also follows a different pattern. I had intended to approach this with the idea of filling it daily, like a calendar, allocating specific spaces to each day of the year 2017. The result, however, spills into the following 2018 (8th of May to be precise, the day this photograph was taken, incidentally). The need to do this drawing came to me a few weeks before the end of 2016. My son was to be born late January/early February 2017. I felt to document the weeks leading up to the birth and capture the evolution of each day after until the end of the year. Expecting a whirlwind of developments and no time to process/retain a lot of the on-going nuanced details, this idea seemed like a way to capture these and keep them contained. Unfortunately, due to severe back issues which had me frequenting the osteopath, as well as other unforeseen instances/setbacks, I could not draw every day on this occasion, but did keep a written diary for the days I missed, which I could later include in the drawing. In any case, a somewhat uncanny thing happened. I had created the equivalent of around 5-6 usual A4 size diary drawings in under a year and a half. I am usually creating 2 a year, 3 at a push (there was one A4 diary that took me two and a half years to complete but that’s another story), and that was with the more time I was able to give in the pre-parenting phase of life. I have never been very good at Math. But these contrasting results make little sense to me. Answers on a postcard. With over fifty thousand words in the drawing, the equivalent to the most densely packed of previous A4 diary drawings is more or less reached also.

So yes, this drawing will be shown for the first time at the Outsider Art Fair in Paris.. If you’re able and willing, come to the fair and you can see it.

 

Vestiges & Verse: Notes from the Newfangled Epic book published

Earlier this year, a selection of my drawings were shown in the group exhibition Vestiges & Verse: Notes from the Newfangled Epic at the American Folk Art Museum in New York.  The accompanying publication is now available to purchase and has a profile on each of the twenty one artists who’s work was shown including Henry Darger, Achilles Rizzoli, Adolf Wolfli, and Aloise Corbaz. The text on me and my work was written by Barbara Safarova.

 

See’s To Exist Show – Doug Hammond special

I’m still at it, doing my monthly ‘Jazz’-focussed radio show on NTS. Generally I am playing records from my collection and speaking a bit about some of them. Occasionally I find or make the time to shed light on particular artists or record labels and hone in on details of interest, gleaning what I can from the conversations I manage to arrange. The most recent of these comes in the form of edition 165, my special show on the fascinating drummer/percussionist Doug Hammond and you can hear that here.  We speak on some of the collaborations he’s been involved in (David Durrah, Tribe Records, Charles Mingus, Byard Lancaster, Family of Percussion..), self releasing music, the recent documentary focussed on him and his work, and more. Enjoy.

Here is one of the recordings of Doug Hammond’s that initially piqued my curiosity some years ago..

 

GDPR

I’ve saved the most mundane for last. Some months ago, new privacy safety measures were put into effect and I made some effort to comply with this in regards to the newsletter I send out only twice a year or so, through Mailchimp. I re-invited those that were subscribed and ended up with just 5% or so of them resubscribing. It seems some tried to but were unable also, which reflects either my ineptness or how complicated this process is for a lot of people like myself trying to keep these things going with minimal understanding of the necessary technologies. Long story short, I’ve just rejigged the subscription button on this blog (top left side of the page), so hopefully if you tick the GDPR box and the other box to subscribe, it will work. Please let me know if it doesn’t, and if it does, please forward this on to anyone you know who may have previously been subscribed, that would be a great help, thanks.

 

That’s all, folks. I’ll be back.

Bright moments,

Carlo

 

 

This was January 2018

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Outside In: Journeys at Sotheby’s, New Bond Street (London, UK)…

I’ve just returned from New York and will use this space to recall some of what happened. Firstly, prior to embarking on that odyssey, I was excited to see the Outside In exhibition at Sotheby’s, a bit closer to home in London. The opening night was quite extravagant and as busy as could be. Perhaps someone knew there would be bottomless champagne glasses handed out? I’d like to think all these new faces were there to marvel at some of the wondrous works on show. The works were nicely lit, with a strange blueish hue hovering around them (or was that just me seeing it?). In some ways it was the perfect setting to celebrate Outside In’s certified charity status, and they did well in accumulating art works from throughout their journey, from 2006 to the present. In my case, Picture Worth a Thousand Words was on show. This was the painting I submitted for their competition/exhibition in 2009. I was one of the six ‘winners’ and they offered me my first solo exhibition as a result. At that point in time, the painting was a decade old already. Seeing it hung in Sotheby’s a few weeks ago, I realised it had doubled in age since then. It returns every ten years to fuel and strengthen my belief in the power and propelling of cycles. And to think, this painting blew off the roof of a car twice on the motorway from London to Chichester when we were initially delivering it in 2009. It suffered wounds. Thankfully that was all! Anyhow, it was certainly touching to see it again and whilst waiting for my coat in the cloakroom on my way out, I had a sudden urge to go and see it once more and to touch it. In that moment, a strange sense of time and movement ran through me, much more effective than my words could reflect. Something I have never felt before. I did return a few days later to show my family. There were a healthy amount of people around, but it was much easier to speak and move around. I must give a mention to some of the other great work on show, courtesy of artists Phil Baird, Kate Bradbury, Nick Blinko, Aradne, Albert, Manuel Bonifacio and James Lake among others. Normally I would have taken some photos of the works in situ but am whirl-winding through life at the moment, so I hope the links contained within the aforementioned names typed will suffice. I did get a snapshot of Jarvis Cocker making a speech at the opening though (if you haven’t seen his two part documentary on ‘Outsider environments’ for Channel 4 which screened in the late ’90s of the previous millennium, check the internets). Also, a shot of me with Nemo (a few weeks prior to his first birthday) a few days later in front of my work (also from the late ’90s). Big shout out to Marc Steene, founder and Director of Outside In and all round renaissance man for being unquestionably transcendental.

Jarvis Cocker speaks at Outside In: Journeys opening

 

Carlo and Nemo beside ‘Picture Worth a Thousand Words’

 

Vestiges and Verse: Notes from the Newfangled Epic at the American Folk Art Museum, Lincoln Square (NYC, USA)…

I’ve just returned from New York and will use this space to recall some of what happened. In terms of the exhibition, a very impressive and ambitious conceptual manifestation. It is an honour to be among the (mostly dead and few living) artists chosen to be featured. Five of my diary drawings are shown, spanning the years 2010 – 2016. Interestingly, that is the most of them that I have seen alongside each other at one time. Most probably I have never had that many in my possession at any one time, either. It was somewhat challenging negotiating time with little Nemo, considering the five hour time difference to back home but we took him along to the opening as planned. He fell asleep in a sea of noise and wonderment. It was a bizarre cocktail of adrenaline and tiredness. A surreal experience for sure. My works were hung in a space opposite a master work by Aloïse Corbaz and works by James Edward Deeds Jr. Some magnificent Adolf Wölfli works were displayed in the same area. It was a trip to be shown in an exhibition with so many works by  Achilles Rizzoli, which in this case heavily focussed on compositions comprised mainly of text rather than the phenomenal architectural imaginings he penned. I highly recommend this book. It was interesting to see some Paul Laffoley works again. His weighing out of systems is very intriguing to me. His work first caught my eye at the highly poignant The Alternative Guide to the Universe exhibition at the Hayward, in London in 2013. He was still alive then. Vestiges and Verse: Notes from the Newfangled Epic in some ways reminded me of that great show at the Hayward. So many interesting artists collected and put into a captivating context to provide a lens through which you observe the similarities, and sometimes somehow the similarities through the differences, based on how far in a direction they will each take you. 

My work was in view upon first glance beyond the entry point into the exhibition. Approaching it, it didn’t take a nanosecond to realise one of the drawings was hung upside down. This has since been rectified. I thought not to mention it here, but human error occurs (and we should be thankful for that!). This incident raised the question for me, ‘Am I so far down this road that only I can see how obvious it is that this drawing is upside down?’. Among attendees at the opening were, aside from myself, two other living artists being shown in the exhibition. Susan T King and Jerry Gretzinger. The former, I have admired and written a bit about in recent years. Jerry, on the other hand, I was not aware of. It was a great pleasure to meet him and speak at some length with him specifically/personally, but also as someone else included in the show, sharing stories about our paths and how we end up where we end up. I’m completely in awe of his map project which began in the 1960s and is on-going. Mesmerising. Find yourself ten minutes, get yourself a hot drink and watch this. An artist I was not expecting to meet that night was Joe Coleman, which was a more than pleasant surprise. It began with a “look who’s behind you, Carlo”, and there he was beside my work. Thanks to Jennie we got talking a bit, about Henry Darger (who has some incredible work in the show), The curator Valérie Rousseau, and other artists in the show. He left me with the words “Welcome to the family”. The family? The family?? Thanks Joe. Below are some photos from the opening. The exhibition runs for a duration of three months or so. Check it out if you can! 

 

Rizzoli works being scrutinised at the opening

 

Joe Coleman and Carlo Keshishian. Photo courtesy of Jennifer Gilbert.

 

Joe observes Carlo’s diaries. Photo courtesy of Jennifer Gilbert.

 

Joe Coleman, Carlo Keshishian, Jennifer Gilbert. Vestiges and Verse: Notes from the Newfangled Epic exhibition opening at the American Folk Art Museum in New York, NY on January 20, 2018. (Photo by Stephen Smith/Art Zealous)

 

In view: Aloïse Corbaz’s 14 meter long master work ‘Cloisonné de théâtre’.

 

Carlo Keshishian and Jerry Gretzinger. Photo courtesy of Jennifer Gilbert.

 

Part of Jerry’s map visible in bottom left corner. Photographed during Valerie Rousseau speaking at opening.

 

I feel like there was more I wanted to write but it escapes me now. I need to stop writing here and continue writing in the current diary drawing, so will let this be for now. I hope to update the blog more frequently, yadda yadda.. let’s see..

Bright moments, Carlo.

Upcoming Exhibitions.

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Where to Begin…

The logic and boundaries of my world do require suspending disbelief, as does the semblance of my creative output reflected by its absence through the lack of newsletters I send out. Fear not, I am edging forward daily in my little corner, with the support of sporadic sessions at the osteopath. Some of my efforts have been acknowledged and will be celebrated in both London and New York this January.

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Outside In: Journeys…
11-19th January, 2018
Sotheby’s, London, UK

The succinctly titled Journeys exhibition explores the spectacular journey that the organisation Outside In have experienced since their conception twelve or so years ago. The art works on show will revisit examples from the trodden path, highlighting the journeys that each of the selected artists have found themselves on since and in many ways probably as a result of having crossed paths with Outside In. I have written at length about Outside In and their singular identity elsewhere, as have others, so if you aren’t aware of their work, do spend a few minutes on your search engine or simply visit their website here. My relationship with them began in 2009 when I exhibited a painting (illustrated here) as part of their competition/exhibition at Pallant House Gallery. My painting was chosen along with five others from the several hundred submitted from various artists across the region, and as a result I was offered a solo exhibition which took place the following year, where I sold my first diary drawing. A lot has happened since then, in regards to my multi-disciplinary work with Outside In and otherwise. To see the painting I had shown in the 2009 exhibition, now on loan from the Rose Know-Peebles collection, alongside some great works by AradnePhil Baird, Manuel Bonifacio, and James Lake among others, find your way to Sotheby’s in London. For further information, follow through to the Sotheby’s website here.

Vestiges & Verse: Notes from the Newfangled Epic…
Jan 21st – 27th May, 2018
American Folk Art Museum, New York City, USA

For the first time, my drawings will officially be on show in New York, at the American Folk Art Museum, no less. I am excited to announce that several of my diary drawings, on loan from various collections including the ABCD Collection, the Antoine de Galbert/La Maison Rouge Collection, and the Eternod/Mermod Collection will be included alongside works by seminal artists such as Aloise Corbaz, Henry Darger, Malcolm McKesson, Achilles G. Rizzoli and Adolf Wölfli. It is not lost on me that among the 21 artists included in this fascinatingly contextualised exhibition, I am among the minority of living artists, and seemingly the youngest by a few decades. I am not sure what this might mean, if anything, but certainly something for me to ponder on in the grand scheme of things. Another of the living artist who’s work I admire very much, Susan T King will be leading a workshop, Drawing With Susan as part of the exhibition program on January 23rd. You can get tickets, which are free, here. Another intriguing event related to the exhibition, called Discussion: Invisible Dialogues & Invented Languages will take place on February 22nd. Tickets are available at $10-12 and are available here. Lastly, a book will be published to coincide with the exhibition which I am of course excited and intrigued to peruse. This will inevitably be available online and in some physical bookshops very soon.

See’s To Exist Show 

After a short hiatus at the beginning of 2017, my radio show returned to the world in its current monthly incarnation, which is much more manageable than doing the show weekly for me at this point. I migrated from my family at Itch FM  to the globally active NTS. I am still archiving my shows on Mixcloud here. I did a couple of ‘special’ shows last year. The most recent being a focus on bassist Juini Booth in celebration of his 50 years of engaging with the instrument. We lost quite a few giants in the world of progressive Jazz last year, including Muhal Richard Abrams, Kelan Phil Cohran and Sunny Murray. I was pleased to be able to send off a much overlooked saxophonist, Arthur Blythe, with a show dedicated to his memory which you can hear here. Something I find interesting about his chronology is that he got his start playing with Horace Tapscott in the 1960s on the West Coast, in Los Angeles, influencing many and leaving myth behind upon arriving in New York where he wasn’t so known. In the show I speak with both Gary Bias who came up playing saxophone with Horace Tapscott and the Pan Afrikan Peoples Arkestra a decade or so later than Blythe, and then trumpeter Ahmed Abdullah who played and recorded with Blythe in New York in the 1970s.

I’ve got my schedule of radio shows for the year, if you want to listen live on NTS, take note of the following dates and I will be on on these Sundays between 3-5pm (UK time).

Jan 14 / Feb 11 / Mar 11 / Apr 8 / May 6 / June 3 / Jul 1 / Jul 29 / Aug 26 / Sept 23 / Oct 21 / Nov 18 / Dec 16

On the topic of radio shows, I decided to start a podcast Who Cares? And Unknowns also last year. These will be very few and far between considering other commitments and priorities, but I was glad to put the first episode out there in two parts, focussed on rapper, producer, and musician Joe Dub from San Francisco. In the last newsletter I mentioned working collaboratively in terms of my designing some limited edition 45rpm/7″ record adapters. I think there were only 100 made which went out free with orders of the first release on his new record label Three Quarters. There are still copies of the record for sale, though I don’t know if they are beyond the 100 by now, but check it out here if interested. The podcast in two parts nears the five hour mark, as I go into near obsessive detail in regards to the development of Joe’s music through the years, touching on many an underground West Coast Hip Hop side story along the way. You can listen to those here and then here for part two.

Timmy Miller Has a Heavy Head

This is most probably the first time I haven’t shown any images of my work (or images altogether) in the blog/newsletter. As some sort of solution, I will take the opportunity to let you know that I’ve slowly been working on a short film over the last couple of years. At this point I am not sure what life it will live, nor how much I want to say about it. But here is a still image from the film. Something ambiguous to sign off with.

Bright Moments,
Carlo

 

Winter updates

Outsider Art Fair Paris 2016

Greetings. As the last update was left on the ponderous note of anticipation for what was to come in the form of the Outsider Art Fair Paris, I shall provide you with the outcome.. firstly, I have written at length about it here for Outside In. Having just revisited this writing now, I don’t think I need to add much more here. The New York edition of the fair celebrated its 25th year earlier this month and it seems the momentum has really picked up in the last few years with more attendance, media coverage and general awareness seemingly bringing the field noticeably within view from in the shadows.

A sophisticated magnifying glass with built-in light, being used to look at a detailed Carlo Keshishian diary drawing. Works by Aloise and Wolfli visible in background

 

ABDC Collection

Following on from the Paris fair, I’m pleased to announce some of my recordings have found a home in the unparalleled ABCD collection. See here.

 

Radio Shows, Itch FM, NTS and Mixcloud: See’s To Exist Show / Who Cares? And Unknowns

For those that have been following my See’s To Exist Show Jazz based radio shows in the last few years, a metamorphosis is currently taking place. For various reasons, I’ve had to call it a day in regards to providing a weekly show at Itch FM, which has been a great experience and I will forever rep the Itch family. I wasn’t sure what form, if any, See’s To Exist Show will continue to exist as, and started to put in place the creation process of a new podcast which would not be restricted by genre or time in terms of how frequently new editions would come into being, or how much time they would each run for. This show is called Who Cares? And Unknowns, of which the first instalment has now been uploaded in two parts (clocking in altogether at somewhere around the 5 hour mark). This first instalment is focussed on Joe Dub, one of the West Coast’s best kept secrets in terms of underground Hip Hop (of the Americas). I first came across his music in the form of a cassette that was given to me in 1997-98, containing material by his then group San Francisco Street Music, that I would years later find out is titled ‘The Pride’. A cassette intrinsic to the development of my own approach to a lot of things, to this day. In a previous blog entry, I highlight some record adapters I designed for Joe’s current project, and we have had an interesting exchange since the turn of the last century. He has recorded with the who’s who of mythical underground West Coast artists such as Deeskee, 2Mex, Abstract Rude, Doc Lewd, Awol One, Circus, Liferexall, Neila, Dave Dub, Ellay Khule, and a near endless list of others. In these shows I provide a generous quantity of his recordings, more or less chronologically, including collaborations with Devin The Dude, Topic, Factor, Alex 75 and many more.. You can check part 1 and part 2 out now. Enjoy.

I am proud to announce that See’s To Exist Show will continue, keeping more or less the same format, but will now be a monthly show courtesy of NTS. The new show will be live on Sundays, 3-5pm, the first of which can be streamed on March 12th. Tune in for more of the same unparalleled magical Jazz gems from the dusty depths of our world’s near forgotten treasure crevices.

 

Toilet Diary

The current diary drawing I am working on has unexpectedly taken a different path. Firstly, it’s is more than four times the size than the previous sequence which were all A4. Secondly, in theory the idea was to draw just one hour each day of the year, so as to contain the entire year in a measured manner. I’ve allocated a premeditated dimensional area divided 365 times within the page. I began drawing it a few weeks before another little collaborative creation I’m involved in, in the form of a little human, was born into being in our world. A spanner in the works of course presented itself just a few days into drawing, and with my back significantly compromised, causing me to be bed-bound for almost two weeks, I have quite some catching up to do with drawing and recollecting my thoughts, channeling the fresh impulses, etc.. I’m sure it will be an interesting challenge to the end. Other interesting new diaries being kept involve monitoring toilet activity. Who’d have thunk it. Anyhow, here is a photograph of my new diary drawing in progress, with new little human catching some z’s alongside..

 

 

 

 

 

 

 

Short Film

I won’t give much about this away at the moment because I’m still not sure exactly what I will do with it, but I have been working on a short film for some time now and it is near completion. I’ve been working on it, on and off, for the last couple of years or so in terms of filming and editing. The ideas for it, however, have slowly been simmering for over a decade and it somehow found its way into being created, which initially I hadn’t intended on seeing through. More on this in the next blog entry (probably/possibly?!)..

 

Uncooked Culture ‘Spring Showcase’

The mastermind behind the Uncooked Culture initiative and Circus Terminal touring exhibitions,The Bag Lady Nok has put in place another exhibition showcasing works by artists associated with the movement. On this occasion, you can find works by somewhere around a hundred artists. Other than myself, these include Ian Pyper, Cathy Ward, Pier Makanda, Liz Parkinson, Brian Robert Gibson and many many more. Nok’s acquiring of the Bag Lady title relates to the near mythical process that has been her method in carrying hundreds of art works in one suitcase and putting exhibitions on in France, Spain, Solvenia, Holland, Suriname, Thailand, New Zealand and the U.S.A. This time around, she has set up just around the corner at The Walmer Castle pub in Notting Hill (London, UK). The address is 58 Ledbury Road, W11 2AJ. I’m not exactly sure how long the works will be up but I do know there will be a three day celebration in the upstairs bar area on the 1st, 2nd, and 3rd of March, so if you are interested in seeing some performances, hearing speeches, and mysterious improvisational happenstance intrinsic to the nature of the project, find yourself there within that window of time. On the evening of Wednesday the 1st of March, I will be DJing so if you are around and care to experience the exhibition with a soundtrack of rare spiritual Jazz potentially among other things, it’s a good time to peruse. I’ll leave it at that.

 

Until later..

Carlo

Summer/Autumn updates

Outside In 10th Anniversary

Greetings. As usual, it has been a while since the last time I have posted here. Time passes, things accumulate, etc.. So, let’s get on with it!

Outside In have put a show together at Pallant House Gallery, in order to celebrate 10 years of Outside In, which is quite an achievement. It’s great that they can continue to carry out the work that they do and seem to be going from strength to strength. I have a couple of diary drawings in the exhibition alongside the works of other award winners. The show is on until the 30th October, so if you are nearby, do check it out! Also imperative to mention, something that really blew me away and was a total surprise, on exhibition in the DeLonghi Room at Pallant House, are some (many) collected works by Friedrich Nagler. Seriously incredible, faces created out of all sorts of materials throughout his adult life.. Some simple, others quite detailed and complex.. I can’t stress how great this exhibition is and urge anyone remotely near to go take a look, I’m not sure what the probability of seeing them again is, where or when, but I do hope it can tour for others to share this experience. These shows aren’t on for much longer, so check it out while you can!

Friedrich Nagler works on show at Pallant House Gallery

Friedrich Nagler works on show at Pallant House Gallery

Three Quarters Records

By now, I do have a somewhat dynamic history with a figure known to some as Joe Dub. He resides in Hawaii and first came to my attention in the last few years of the previous millennium for his work with the group San Francisco Street Music. He has gone through a few name changes and it is about to happen again, on this occasion to be coinciding with the launch of his new record label, Three Quarters. For their first release, Joe, alongside longtime collaborator Alex 75, handles the production for singer Doug Shorts on a 7″ called ‘Throwing Our Love Away/Slow Poison’.

I am proud to present to you all, a wooden 45/7″ record adapter that I’ve designed for the Three Quarters record label. It is my understanding that these will be available as a limited edition promotional gift with orders of the first release by Doug Shorts very soon.. Stay tuned for more info! In the meantime, you can read a bit more about Doug Shorts here.

Additionally, I have included part of an interview that I recently conducted with Joe Dub, in my 100th radio show for Itch FM (It is my 140th in total). The show focuses on the historical development of my interest in Jazz and I’ll be uploading it to my Mixcloud archive soon. It can be found on Itch FM’s archive already. Furthermore, I am in the process of putting together quite a thorough show focusing on Joe Dub and his music, which will include the full interview. I’ll provide a link to both of these as they become available.

 

The Carlo Keshishian/Three Quarters 45 Adapter

The Carlo Keshishian/Three Quarters 45 Adapter

 

three-quarters-adapter-2

three-quarters-adapter

 

Outsider Art Fair Paris 2016

It’s that time again..  October 20-23rd. Outsider Art Fair Paris, at Hôtel du Duc. A few dozen galleries and organisations from around the world will be exhibiting. I will have works on display with the Galerie du Marché (Lausanne, Switzerland). I’m in great company alongside favourite artists of mine such as Raphael Lonne and Edmund Monsiel, whose pieces are very rarely exhibited, so treat yourself to a trip and journey. Come see us! I will be writing my opinion piece for Outside In as per usual, so if you can’t make it, perhaps you’ll be able to gauge and glean something from that once it’s published. I’ll keep you posted, in any case..

Right, that will be all for now! I’ll be in touch again in due course..

Bright moments,

Carlo

 

Inside Out at Castlefield Gallery in Manchester, UK

‘Inside Out’ at Castlefield Gallery, Manchester (UK) / 4th March – 24th April, 2016

As promised in the previous blog entry, I am expanding on the topic of a current exhibition which features some of my work. At the time of writing this, it has been open to the public for just under two weeks and will remain open for just over a further month. I highly recommend a visit after having attended the preview night. The space is impressive, and the combination of artists and works make for a rich experience which should have something to absorb you into and intrigue you. I think it is fair to say that there is enough potency in this show to captivate beyond the much too often case in my experience of entering gallery, perusing ’empty’ feeling ideas/art for a matter of a handful of minutes at most, and sometimes even forcing further attention in case time might do anything in me understanding/appreciating the work, but more often than not failing to accept there is any substance of real value. I am so tired of that, that I wanted to write that sloppy sentence as quickly as possible and move on.

I have to send a big shout out to co-curator of the show show, David Maclagan, for his support over the last few years and for bringing me into this show. The work on display was co-curated with the Castlefield Gallery and I saw some interesting work that I was unfamiliar with until that point. Darren Brian Adcock‘s interactive pieces had a wondrous and original way of engaging with me. I had the honour or being in this group show with an artist I have admired for over half my lifetime thus far, Nick Blinko. This strangely put some sort of perspective on things, for me. In fact, and I hadn’t thought of this until now, but Nick Blinko’s original drawing used for the insert of his band Rudimentary Penis first album ‘Death Church‘ from the early 1980s, being exhibited in this exhibition, is a result of some cosmic vibrations if ever there were any. A friend of mine in school made a compilation cassette for me, containing hardcore punk recordings from his record collection. It took him months to finally get round to finishing it and giving it to me. A song from ‘Death Church’ was on this tape, and I went to seek out the album after that. Purchasing it was my first exposure to Nick Blinko’s art, and right now you can see the original art for that album on show in an exhibition along with some of my work. I’m not quite sure what to make of it, but something happened there!

I was going to write more, but I think I’ll leave it at that! I hope you can make it along to see some interesting work that doesn’t often get an outing. Vibrations courtesy of: Darren Brian Adcock, Nick Blinko, Peter Darach, Andrea Joyce Heimer, Carlo Keshishian, Joel Lorand, David Maclagan, Richard Nie, Mehrdad Rashidi, Mit Senoj, Marlene Steyn, Jenna Kayleigh Wilkinson.

Below are some photos from the opening.

David Maclagan introducing the exhibition

David Maclagan introducing the exhibition

 

Manchester is awash with youth

Manchester is awash with youth

 

Man steps into my realm

Man steps into my realm

 

Crowd congregate with fascination and intrigue in regards to a stranger's diary

Crowd congregate with fascination and intrigue in regards to a stranger’s diary

Further attempts are made to decode my rantings

Further attempts are made to decode my rantings

 

Diary Drawing, Sept. 2015 – March 2016

Another diary drawing has reached its natural ending point. On this occasion, without filling the entire page. I’ve covered most of it though. There are a handful of reasons that I am aware of relating to why, one of which is how difficult I found using the pen that I chose. It was not very fluid and did not flow so well. This, in part, delayed the process by months. Anyhow, that’s the way it goes. It was not the sole reason, in any case.. Unfortunately, my scanner is not scanning the page straight, regardless of how straight the page is placed into the scanner, so I hope this temporary scan should do for now.. I guess you won’t notice too much either way though..

diary-sept-2015-to-Mar-2016_temporary_scan

Lastly, I must mention I have been on some inspiring adventures lately. In contrast to the behemoths I normally post as blogs, and rather sparsely, I hope to submit somewhat more frequent and digestible posts, in which I’d like to focus on these adventures, for example. Until then,

Peace

Carlo

Outsider Art Fair Paris, Castlefield Gallery, Sweet Earth Records and a Happy New Year..

Outsider Art Fair Paris 2015…

Greetings friends, family, fans, followers and spies. I thought I’d write one of these posts to update everyone on some of my activities before the year is out. Firstly, as I mentioned in the previous post in September, I had two drawings shown at the Outsider Art Fair Paris thanks to Galerie du Marché and the Eternod/Mermod Collection from Lausanne, Switzerland. I must reiterate how much of an honour it is to have my drawings in their incredible collection and to be shown at their consistently strong booth, having attended the fair for several years and been absorbed by the potency and selection. This was the first time that my works have been exhibited at the fair, and I was in good company on the wall with a Louis Soutter  above me and a Theo below me, with a Madge Gill below that. As I said in my entry of reflections on the Outsider Art Fair Paris for Outside In‘s blog which can be read here: “In a weird way, I quite like being in the company of dead people who manage to speak from beyond the grave (and particularly in this way).” Quoting myself from other blogs, into my own. The future has arrived. Anyhow, for my perspective on the fair, click on the aforementioned link. The two diary drawings of mine that were shown were bought by the La Maison Rouge collection and a private collector. 

 

oaf paris carlo 2015

Carlo, beside himself at OAF Paris 2015

 

Diary Drawing…

I am currently drawing the 9th in my series of diary drawings, with the intention to stop at the 12th, as I’d like to continue a painting that I began in 2011 and hopefully build a series around it. Below, you can see an image capturing a moment in the process of my current diary in progress..

Ninth diary in progress

Ninth diary in progress

 

Castlefield Gallery… Inside Out

I am pleased to announce that some of my work will be shown in Inside Out, an exhibition with a very interesting roster of artists, at the Castlefield Gallery in Manchester, UK. The show will be on from 4th March until 24th of April. For (a lot of) additional info, check out the first link in this paragraph. I’ll go into some more detail about this exhibition in my next blog post, but for now I will say I am very excited to discover I’ll have works shown alongside Nick Blinko, Joel Lorand and Mehrdad Rashidi.

Sweet Earth Records

I undertook a most pleasurable adventure in recent months, in an attempt to shed light on a somewhat obscure, short-lived record company that was active between 1977-1979. My curiosity resulted from a variety of ‘coincidences’ in regards to the records that were released on the label, most of which are rare and all out of print with the exception of Sun Ra‘s The Other Side Of The Sun which saw a reissue through another label in recent years. In my attempt to demystify the story of Sweet Earth Records, I managed to speak with John Sprague who kindly elaborates on his memories of performing and recording with David Wertman and The Sun Ensemble, as well as his involvement with the label and their releases. I also speak with the legendary Amina Claudine Myers about her album Poems For Piano ‘The Piano Music of Marion Brown’, I chat with the charismatic Stephen McCraven who kindly invited me in his home to speak on his classic Wooley The Newt LP, and lastly I interview the great Ahmed Abdullah about a Sweet Earth Records non-release and what would have been Ed Blackwell‘s first album as leader. As far as I know, there isn’t really even a synopsis of what Sweet Earth Records were about, online, let alone an exploratory show containing interviews with someone associated with each release to come out on the label, which is what I’ve managed to piece together. I hope you enjoy it. With that, I’ll stop typing and leave you with those two hours of audio Sweet Earth Records special / See’s To Exist show. Happy New Year!

Bright moments,

Carlo

Artlicks Weekend with Hotel Elephant, Outsider Art Fair Paris, Diary drawing..

Artlicks Weekend/Hotel Elephant…

Welcome once again or for the first time. If you are sitting in silence, let me take this opportunity to momentarily redirect you to the archive of my weekly radio shows, in case you’d like a soundtrack to reading my blog. Go here and pick any of the hundred or so shows I’ve executed in my life as a radio DJ thus far. Don’t forget to come back though.

My first bit of news is that I’ll have some work showing in London (UK) again, finally. This will occur between the 1st-4th October. The opening is on the evening of Thursday the 1st of October from 6-9pm and then you will be able to come and see the following few days (Fri, Sat, Sun) from 12-6pm. Courtesy of Hotel Elephant as part of the Artlicks Weekend. The address is 23 Harper Road SE1 6AW. This location is just a few minutes walk from Borough station, or Elephant & Castle. For further info, you can use your search engine(s) or try these links: 1 and 2 and here’s another.. 3

 

Outsider Art Fair Paris 2015

I’m very pleased to announce that some of my work will be shown at this year’s Paris edition of the Outsider Art Fair, thanks to Galerie du Marché and the Eternod/Mermod Collection from Lausanne, Switzerland. It is an honour to have works in their highly impressive collection containing master works by Aloïse Corbaz, as well as works by some of my favourite artists (Edmund Monsiel, Carlo Zinelli, and Raphaël Lonné). Madge Gill, Scottie Wilson, and Adolf Wölfli are among the legendary names whose works can also be seen in the Eternod/Mermod Collection. The fair runs from October 22nd-25th. See website for further details. Here

 

Diary Drawing, March-September 2015

I’m very pleased to announce that I’ve completed another diary drawing. This time surpassing any previous shift in increments by a surprising amount, in regards to the amount of words contained in the drawing, which on this occasion clocks in at 11,273 words. The last couple of drawings were around 7,000 words each, and the one before that had the highest word count previously, at 9,539. Here is an image of the latest drawing.. (click on it for a larger view).

diary-march-sept-2015_small

Thanks for reading (and listening?)                                                                                                                    Bright moments,                                                                                                                                                      Carlo

 

Raw Vision#86 

Raw Vision #86

Greetings, folks. Things have gotten significant in the last week so I’m bringing you the news. My favourite quarterly magazine, Raw Vision, has just published a 6 page feature article on my work, written by David Maclagan. One of my drawings was used to illustrate his book Line Let Loose: Scribbling, Doodling and Automatic Drawing almost a couple of years ago now. He also included the same image as part of a great article he wrote for Raw Vision #82. Raw Vision can be bought in its physical form as has been consistently the way since the late 1980s, or now you also have the option to purchase issues as digital (PDF) files.

You can get the current issue with the feature length article about me and my work here: Raw Vision #86, but let me fill you in on some details first.. The printed edition has beautiful professional quality/resolution images but there were two images that were imperative to include and due to a mix up they were replaced by an additional two spiral-based images, on top of already having two spiral-based images accompanying the article. In the version I proof-read, the correct images were present. The article refers to text-based drawings/paintings and diary drawings, but there are none now accompanying the article, and to confuse matters more the titles of the intended diary drawings (‘Diary, April 2011– November 2013′ and ‘Diary, October 2010– March 2011′) have remained in the description and accompany the spiral-based images. This has all been corrected on the digital version of the magazine and the diary drawing images are now included there, but the image compression used in order to keep the file size manageable compromises the quality of the image to a degree that you cannot quite see what the detail in the diary images depict due to pixelation. Ideally there should be a correction in the next physical issue with a page containing a paragraph explaining the diary images should have been included and rectifying the matter of the wrong titles/sizes attributed to the spiral-based images that were used to replace the diary-based images, along with the necessary high resolution images of the diaries so that those buying the physical magazine will understand what the article was addressing. I am not sure if they are considering doing this, I think I would if I was publishing a magazine and something like this happened, but then I don’t know what goes on and what limitations and challenges they have, so will have to wait and see.. I will provide the images here in any case, so if you buy the magazine you can reference the blog entry for the additional imagery that is necessary in achieving the full potential of harmonious realisation! Just click on these below, and then zoom in when they appear in the new window..

Diary, April 2011 – November 2013, ink on card, 11.7 x 8.3 ins., 29.7 x 21 cm

Diary, April 2011 – November 2013, ink on card, 11.7 x 8.3 ins., 29.7 x 21 cm

Diary, October 2010 – March 2011, ink on card, 11.7 x 8.3 ins., 29.7 x 21 cm

Diary, October 2010 – March 2011, ink on card, 11.7 x 8.3 ins., 29.7 x 21 cm

Right, that’s all for now folks! I’ll keep you posted on any more developments soon.. Peace out for now..

Carlo.

 

Marching Into Spring

 

 

It’s March…

Winter is behind us, or is at least subsiding temporarily. One thing is apparent, each day stays brighter by 40 seconds or so. Certainly beneficial to my creation process nowadays! Light at the end of the tunnel.

I recently completed the most recent diary page which began on the first of January, 2015. Here is an image of it.. Click on it to see a larger version (which you can then click on again)..

diary_jan-march-2015

 

In other news, there is currently an exhibition on in London (UK), Circus In Terminal 15, featuring a large painting of mine from 2009. It is also text based but more of a word association than diary-like. It’s on until Saturday 14th of March. On Friday the 13th there is a sort of ‘closing party’ which will feature performances (musical, theatrical, poetical, existential, un-categorisable) from 6.30-9pm. It’s at the RR Gallery, St.Peter’s Church, Kensington Park Road, London W11 2PN. Come along if you are in the vicinity. Here is an image of my piece at the opening..

 

And here‘s a lengthy bit of blog I recently wrote for Outside In, focussed on my experience with the Circus Terminal project. It contains some historical, ideological, philosophical, and other otical contexts. And some images. Check it out HERE

Lastly, I’m gonna plug a couple of my recent radio show uploads. As I’ve mentioned before, I do a weekly radio show called See’s To Exist show every Friday 4-6pm GMT on Itch FM which streams live on the internets via their website. I archive the shows here.

But what I wanted to draw particular attention to are two shows. The first being –

1) a special edition I did live at the station in dedication to the music of Joe Bonner, a favourite pianist of mine who sadly passed away a couple of weeks prior. There is a magical quality to his playing as is exemplified in the selections I have included from my record collection. I also speak a bit with Juini Booth who played bass on Bonner’s classic Angel Eyes LP. You can hear this show / here/ 

2) A more thoroughly put together show, and a first instalment in a series of three shows, is my focus on the overlooked pianist, composer, and conductor Horace Tapscott and the movement that he put in motion from the 1960s onwards. I interview several affiliates for this. The author Steven Isoardi, who edited Horace Tapscott’s autobiography and wrote an extensive account of the Pan Afrikan People’s Arkestra and their history. Michael Session, who joined Horace and the Arkestra initially in the late 1970s and who is currently leading the group since Tapscott’s passing. Darryl Moore, also known as JMD, who was drumming and touring with Tapscott in the 1990s, and is known for his work with the Project Blowed and production work with Hip Hop groups Freestyle Fellowship and The Pharcyde among others. You can hear the first instalment – /here/

That’s all for now, folks.

Be well..

Carlo

 
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