Outside In

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Writing About Writing…


So, I was ambassadoring (not a real word, apparently) for Outside In at the Impact Art Fair today. I got to sit beside a lovely Scottie Wilson painting of some fishies, and talk to people about the Outside In project and how thankful I am to have been involved thus far on several levels. To my surprise, among the many flyers and information sheets about Outside In that we had to give out today, was the latest edition of the Pallant Press, which contains an article I wrote when I was asked to select three Outside In artists in order to ‘curate’ an article accompanied by their images. I chose Nick BlinkoJames Lake, and Neal Pearce. To see their work, click on the names in the previous sentence. Read my article here. Another pleasant surprise was that Neal Pearce actually had his own stand at the fair, so I got to meet the man and check out all the work he brought along with him.

 

A page from Neal Pearce’s Infinite Codex.

book 12 page 55
Neal Pearce – Infinite Codex, book 12, page 55

 


Boy in Beirut

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When the Roof Touches the Floor…

Well, the opening of Desires, Nightmares, and Dreams II took place at The Running Horse Arts Space in Beirut last Monday, and as expected it was an enjoyable affair.

 

With limited access to internet and fragmented time allocation, I failed to post anything while in Beirut, but I had a dimensional experience as expected. Unfortunately the battery on my ‘less than impressive but functional none the less’ camera didn’t have much life and the only thing I forgot in London was the charger, so I don’t really have any interesting photographic evidence to post.

The food in Beirut is exceptional. I eat more here because of it. Notably, my favourite fruit ever, Pomelo, exists here. Sadly it was out of season but this didn’t stop me from eating a fair amount of Pomelo during my stay.

My guess would be that maybe 67% of cars in Lebanon have dents and scratches. In fact, driving through town one day, there was a car in the other lane that was almost cut in two straight down the middle, with the middle point of the roof smashed down so that it is touching the floor. How this can happen while a car is driving, I do not know, but more surprising is that there wasn’t a chain reaction of affected vehicles during this accident.

The opening of Desires, Nightmares and Dreams II was enjoyable and I was the victim of two interviews. One was with a young lady reporting for either 1) A feminist magazine 2) A magazine called Femme 3) A magazine called Fame. I’m undertaking the detective work to find out which of these is accurate. The other interview was with a young lady who I believe was visiting from France and I still don’t quite know what she was doing in Beirut but she said she’d found out about the exhibition and whilst there decided it might be interesting to document it for her video-something-rather. Who knows!?

 

 

 

The feedback from the show was positive and there have been some interesting results. I just may be selling my largest and arguably most valuable piece. I really enjoyed showing alongside Emi Miyashita, Aaron Johnson, David Siepert, and target=”_blank”>Greely Myatt‘s works. I am especially fond of Emi’s work and own a couple of her drawings myself. Aaron Johnson’s stuff is fun too.. Click on their names in the previous sentence to check them out, if you so desire.

I’ve brought back a few Giclée prints from the ever so limited edition of the drawing ‘Over-Load‘ which was in the show. These are for sale at £45.00 each or the equivalent in whatever currency you use, reader. Shipping will depend on where you are located. They are printed in K3 ink on 310g Hahnemuhle Photorag archival paper and are signed and numbered in pencil. Image size: 29.7 x 21 cm, Paper size: 40 x 30 cm. There were only 15 of these made and so don’t ponder on it too long if you think you might really want one!

 

Lastly, there was quite an enthusiastic Spanish girl interested in ‘found art’ at the opening to whom I recommended the three part documentary Journeys Into the Outside. Spanish girl, if you are reading this, I am aware that it’s quite difficult to find any copies of this documentary. I have it on my computer and can send it to you if you like, so let me know. I’m sure you’d be really into it.

 

Carlo

 

 

 
 
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